Monday, July 6, 2009

The new feminism: life and death

Thanks to Paul Sheehan for finding a woman warrior with doom and gloom fit for my current mood. I'm revving up for a big issue on girls in sport, but till then just remember. Abortion is still an issue of legalities in Australia. There is a campaign abreast to remove abortion entirely from the statutes and make it a personal and medical matter.

Paul Sheehan's excerpt on Malalai Joya... "For many women, the difference between life and death is a piece of string, a clean razor blade, a fresh bandage and a bar of soap. That's why a pitiful amount of money can save a woman, or a newborn baby, or both. And that's why, while the Australian government is expending hundreds of millions of dollars fighting a war in Afghanistan, civilian volunteers in Australia are sending thousands of simple birthing kits (bandage, blade, string, soap, plastic sheet) to Afghanistan, because it is one of the most oppressive places in the world to be a woman.

Last Wednesday, 500 people gathered at the Four Seasons Hotel in Sydney for a glimpse of this reality. The event was sold out. The speaker was a young, attractive former member of the Afghan parliament, Malalai Joya, 31, the author of a new memoir, Raising My Voice. She gave the audience a taste of the new front line of feminism, the women fighting and dying for their freedom." .. continued

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Monday, June 22, 2009

WoW, truth is stranger than fiction.

I got a shock coming face to face with myself on World of Warcraft. I'm rather relieved that I wasn't undead. As in hindsight, it's only natural that I should exist virtually, albeit unknown to myself and at least was not a zombie or otherwise nonexistent.

Existential angst.

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Wednesday, June 17, 2009

Research Challenge | Contests & Competitions | SIGGRAPH 2009

All animals, including people, experience the world in different ways. Every animal has unique sensory equipment and a unique way of processing the information it receives. Some animals sense things that people are unaware of, and others sense the same things people do but interpret them differently. For example, bees can see in the ultraviolet range, some starfish have "eyes" all over their bodies, flies have multi-faceted vision, and sharks and some birds can sense electromagnetic fields.

The SIGGRAPH 2009 Research Challenge problem is to choose a specific animal, or a specific animal's sense, and develop a system that will enable a person to experience the physical or social world as that animal does.

Individuals and teams develop innovative solutions to a challenge problem, demonstrating their creativity, design, and execution skills. Selected finalists will present their work to a panel of distinguished judges in a public session in competition for final awards.

** I still really want to go to TEDGlobal in Mumbai/Mysore but SIGGRAPH sounds really good. At least this challenge sounds good. However everything else I've read is privileging visual art in a way that I find is not at all critical (in so far as I'm aware). And is also heavily code geeky, which is making me feel inadequate. And if I mention Panda3D I'm going to have to get it and learn it or msdramagirl won't forgive me.

Posted via web from AmIArt

Emerging Technologies | Galleries & Experiences | SIGGRAPH 2009

SIGGRAPH 2009's Emerging Technologies presents innovative technologies and applications in many fields, including displays, robotics, input devices, and interaction techniques. The demos are available for attendees to try out and discuss with the creators. 
Emerging Technologies includes a mix of works invited by the organizers and works selected from juried submissions to the SIGGRAPH 2009 online submission system. 
A Multimodal Floor for Virtual Environments 
A New Dual-Clickpad Remote Controller for Consumer Electronics 
AmbiKraf: An Embedded Non-Emissive and Fast-Changing Wearable Display 
An Interactive Retrographic Sensor for Touch, Texture, and Shape 
Anthropomorphization of a Space With Implemented Human-Like Features 
Baby-Type Robot: YOTARO 
Back to the Mouth 
Bloxels: Glowing Blocks as Volumetric Pixels 
CityMurmur 
CRISTAL: Control of Remotely Interfaced Systems Using Touch-Based Actions in Living Spaces 
Crystal Zoetrope 
Digital Decal 
Embodied and Mediated Learning in SMALLab: A Student-Centered Mixed-Reality Environment 
Funbrella: Making Rain Fun 
gCubik: Real-Time Integral Image Rendering for a Cubic 3D Display 
Graphical Instruction for A Garment-Folding Robot 
HeadSPIN: A One-to-Many 3D Video Teleconferencing System 
ILoveSketch 
Interactive Cooking Simulator 
Jhai Sustainable Telemedicine Solution 
Pen de Touch 
PhotoelasticTouch: Transparent Rubbery Interface Using an LCD and Photoelasticity 
Pull-Navi 
SCOPE 
Scratch Input 
Sixense TrueMotion 
Sound Scope Headphones 
Texmoca 
The Sleighing Simulator 2.0 
The UnMousePad: The Future of Touch Sensing 
Touchable Holography 
Twinkle: Interface for Using Handheld Projectors to Interact With Physical Surfaces 
Versatile Training Field: the Wellness Entertainment System Using Trampoline Interface 
Virtualization Gate

** are we going? **

Posted via web from AmIArt

Tuesday, June 16, 2009

Information Aesthetics Showcase | Galleries & Experiences | SIGGRAPH 2009

The emergent field of information aesthetics combines a rich variety of technical and artistic disciplines. Designers and new media artists are joining scientific visualization, informatics, and medical imaging specialists to create purposive, predictive, and creative representations of information. SIGGRAPH 2009 is highlighting this field in recognition of the increasingly prominent role that information visualization and data graphics are assuming in our digitally mediated culture.

The Information Aesthetics Showcase includes 2D and 3D prints, interactive and presentational screen-based works, multimodal installation environments, and physical objects that reveal information. In keeping with this year's theme, Networking the Senses, the works shown here engage not only the visual, but also auditory, kinesthetic, and tactile modalities. The relationship to information expressed in these exemplary pieces ranges from straightforward visualization of data to fanciful re-invention and transformation of it. Presenters include computational journalists, visual and material artists, biological researchers and neuro-scientists, graphic designers, scientific visualization developers, historians, cultural theorists, and digital media center collaborators.

Posted via web from AmIArt

Information Aesthetics Showcase | Galleries & Experiences | SIGGRAPH 2009

The emergent field of information aesthetics combines a rich variety of technical and artistic disciplines. Designers and new media artists are joining scientific visualization, informatics, and medical imaging specialists to create purposive, predictive, and creative representations of information. SIGGRAPH 2009 is highlighting this field in recognition of the increasingly prominent role that information visualization and data graphics are assuming in our digitally mediated culture.

The Information Aesthetics Showcase includes 2D and 3D prints, interactive and presentational screen-based works, multimodal installation environments, and physical objects that reveal information. In keeping with this year's theme, Networking the Senses, the works shown here engage not only the visual, but also auditory, kinesthetic, and tactile modalities. The relationship to information expressed in these exemplary pieces ranges from straightforward visualization of data to fanciful re-invention and transformation of it. Presenters include computational journalists, visual and material artists, biological researchers and neuro-scientists, graphic designers, scientific visualization developers, historians, cultural theorists, and digital media center collaborators.

Posted via web from andragy's posterous

BioLogic Art | Galleries & Experiences | SIGGRAPH 2009

The SIGGRAPH 2009 juried art exhibition showcases work by artists who engage technology and the natural world in their creative processes. Like a forward-looking cabinet of curiosities, the exhibition brings together artworks and installations that demonstrate, celebrate, critique, and conjecture about the flux of natural and technological forces. Plants and animals, insects, even the weather, have long served as subjects for study as well as metaphors for human experience. Mechanical equipment, electronic instruments, and robotic devices amplify our understanding of organic processes and enhance our natural capacities. BioLogic focuses on projects that graft these together - biological forms and systems with digital code and networks - to explore expressions of life as we know it or imagine it to be.

Works exhibited in BioLogic relate closely to those in Generative Fabrication, the Design & Computation exhibition. Together, the two exhibitions present an enthralling range of art and design projects that incorporate biological information and processes.

Works exhibited in BioLogic are published in a special issue of Leonardo, The Journal of the International Society of the Arts, Sciences and Technology. The issue also includes publication of the SIGGRAPH 2009 Art Papers. Publication of this special issue coincides with SIGGRAPH 2009.

Posted via web from AmIArt